Up until the mid-90s, Eric Clapton would play these Signature Strats exclusively on stage for electric numbers. In 1985, Eric Clapton "retired" Blackie and by 1988, Fender was supplying him with his own line of Eric Clapton Signature Stratocasters based on Blackie. He also used a Dean Markely head ?possibly a 130 with Marshall cabinets. The amp settings were: presence 3 bass and middle 1 o’clock treble 8 and volume just under 9. Eric Clapton switched from Music Man amps to Marshall 800 series heads (50 watts) during this time. The rack was controlled by a pedal board consisting of an Ibanez Harmonics / Delay, a DBX 160 compressor, a Roland SDE-3000 delay, a Tri Stereo Chorus, a Boss CE-1 chorus, and a Boss Heavy Metal pedal. He used an effects board with (from right to left): a Jim Dunlop Crybaby re-issue, a Bradshaw foot controller, and a Roland 700 synthesizer bank. For his Behind the Sun Tour, his stage rig grew tremendously. In the mid-80s, "Blackie" and "Brownie" were still Eric Clapton’s Stratocasters of choice, although he owned others. On the ARMS tour in 1983, Eric Clapton used a ‘57 blonde Fender Twin amp, Blackie, a Gibson Explorer, a Martin acoustic and assorted other Fender Stratocasters. Eric Clapton also used a Crybaby wah-wah pedal at this time. His Fender Stratocaster of choice was "Blackie", with the tobacco sunburst "Brownie" on standby. He also used a Leslie cabinet with JBL components and had a special foot switch with fast/slow and on/off positions so that the guitar could go either through the amp, through both the amp and the Leslie, or just through the Leslie at either fast or slow speeds (as in the song “Badge”). Eric utilized Modified Music Man amps (HD 130 Reverb) with the bias up all the way and special open-back cabinets. It was strung with Ernie Ball Super Slinky’s. In 1976, Eric Clapton used his Cherry Red Gibson ES-335 (purchased in 1964 and used extensively during his Cream days) for slide playing. A Fender Champ was his main studio amp used in recording the classic album “Layla and Other Assorted Love Songs.” On stage, he used Fender Dual Showmans or Marshall amps with Fender cabinets. During the Dominos UK Tour, Eric would still play Gibsons. While with Derek and the Dominos (1970), Eric Clapton switched to maple neck Fender Stratocasters (primarily the stratocaster known as “Brownie”). But, at the band's debut performance in London?s Hyde Park, he played a Fender Telecaster with a Stratocaster neck. In Blind Faith (1969), Eric played a Gibson Firebird through either Fender Dual Showman or Marshall amps. He then alternated between the Firebird and his now-famous Cherry Red Gibson ES-335 guitar for the US tour through Cream’s farewell concert. During the Spring of 1968, Clapton switched to a Gibson Firebird with a single pick-up. This number of screws came into use three years later, in 1964. The Fool Guitar is not a 1961 model as commonly believed as it has six screws on the scratch plate. He had it painted by the artist collective known as "The Fool" - it is as famous for it's paint job as well as for its association with Clapton. Sometime in 1967, he started playing a 1964 Gibson Les Paul SG. For a while, he used Les Paul guitars exclusively. He also used a Vox wah-wah pedal and occasionally a fuzz effect pedal. In Cream, Eric Clapton switched to 100-watt Marshall heads and 4x12 cabinets using two full stacks. When the engineer complained that his amp was too loud, Eric replied “That’s the way I play.” The amp was usually turned up full volume, even in the studio. The amp was stock except that the output tubes were replaced with KT66s which have a more refined mid-range and clearer top end than either E元4s or 6L6s. While in John Mayall’s Blues Breakers, Eric Clapton played a 1960 model Les Paul Standard through a 45-watt model 1962 Marshall 2x12 combo (JTM 45). During his tenure with the Yardbirds, Eric played a Fender Telecaster through a Vox AC-30 amplifier. In his first band, The Roosters, Eric Clapton played a double cutaway Kay through a Selmer Futurama III Amplifier.
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